03234nam0a2200361   45000010008000000050017000080100018000250350013000431000041000561010008000972000125001052100043002302150041002732600009003143000141003233200072004643301671005366000045022076010058022526010058023106060110023686060058024786860006025367020040025427020035025827020037026178010032026548520075026869090012027619200021027739600034027949700044028281-2757120220928145921.0  a9788484803720  l10029152  a20201103d2018       y0grey010503  ba0 aeng1 aLorenzo Lottoeportraitsfedited by Enrico Maria Dal Pozzolo, Miguel Falomir ; with the collaboration of Matthias Wivel.  aMadridcMuseo Nacional del Pradod2018  a369 σ.cεικ. εγχρ.d30 εκ.  c2018  aΈκθεση: Museo Nacional del Prado, Madrid, June 19-September 30, 2018; National Gallery, London, November 5, 2018-February 10, 2019  aΠεριέχει βιβλιογραφία και ευρετήριο  a"Lorenzo Lotto (Venice, about 1480 - Loreto, 1556/57) was one of the great portraitists of the Renaissance due to the variety of typologies that he employed, the psychological depth with which he endowed his sitters, and the judicious use that he made of objects in order to define the status, interests, and aspirations of his subjects. After his death Lotto fell into almost complete obscurity until the late nineteenth century when Bernard Berenson (1856-1959) defined him as the first Italian painter to be interested in depicting states of mind and hence the first modern portraitist. This interpretation, still considered valid, found fertile ground in a society increasingly interested in the most profound dimension of the individual. The catalogue of the exhibition, the first to be devoted to Lotto's portraits, follows this nomadic painter's footsteps from his native Venice to Treviso, Bergamo, Rome, and the Marches through portraits produced over the course of five decades. They reveal a variety of influences ranging from Antonello da Messina to Titian and including his master Alvise Vivarini, Giovanni Bellini, Albrecht Durer, Giorgione, Raphael, and Leonardo. Lotto re-elaborated these references to formulate his own language, in which looks, gestures, and objects combine to transcend the sitters' physical description and social status and reveal their innermost emotions. With their powerful narrative potential, Lotto's portraits encourage the viewer to speculate on the subjects' lives while testifying to the period of profound transformation experienced in Italy at that time. Exhibition: Prado Museum, Madrid, Spain (19.06. - 30.09.2018)" 1aLottobLorenzof1480?-1556?xExhibitions02aMuseo Nacional del Prado (Madrid, Spain)xExhibitions02aNational Gallery (London, Great Britain)xExhibitions0 aΠροσωπογραφίες (Zωγραφική), Ιταλικέςz16ος αιώναςxΕκθέσεις0 aPortrait painting, Italianz16th centuryxExhibitions  aM 1aDal PozzolobEnrico Maria40704340 1aFalomir FausbMiguel40704340 1aWivelbMatthiasf1975-40704340 0aGRbNATIONAL GALLERYgAACR2  aINSTbLIBRARYe20201103hM LOT 2018p036000031031q036000031031t1uBK  b0027798  cΑΓΟΡΑz2020  a2020-11bΜΟΝΟΓΡΑΦΙΑ  aΜΕΝΤΖΑΦΟΥbΕΛΕΝΗz2020-11