03261nam0a22004331  45000010008000000050017000080100018000250350013000431000041000561010008000972000076001052100034001812150046002152600009002613000089002703200041003593270305004003301261007056010070019666010038020366060087020746060085021616060046022466060054022926060038023466070071023846070045024556860014025007000023025147010019025377120025025567120025025818010032026068520078026389090012027169200021027289600034027499700044027831-2759320230411161522.0  a9781849765886  l10029174  a20201105d2018       y0grey010503  ba0 aeng1 aMagic realismeart in Weimar Germany 1919-33fMatthew Gale and Katy Wan  aLondoncTate Publishingd2018  a111 σ.cεικ. ασπρ.d24 x 24 εκ.  c2018  aΚατάλογος έκθεσης: London, Tate Modern, 30 July 2018 - 14 July 2019.  aΠεριέχει ευρετήριο.1 aMagic realism: art in Weimar Germany 1919-33. -- Introduction: "The interior figure of the exterior world". -- The circus: "abnormal situations". -- From the street to the studio: "looking for adventure". -- Faith and magic: "a higher degree of reality". -- Coda: "from the visible to the invisible".  aMagic realism explores the wider aspects of Weimar culture through th rich holdings of the George Economou Collection. Although the term "magic realism" is today commonly associated with twentieth-century literature of Latin Amrica, it was first invented by the German artist and critic Franz Roh in 1925 to describe a shift from the spiritual and anxious art of the expressionist era, towards cold veracity and unsettling imagery. The diverse practices of Otto Dix, George Grosz, Albert Birkle and Jeanne Mammen, amongst other artists of the period, are explored through a series of essays which contribute fresh perspectives on this extraordinary moment in art. Featuring more than 75 illustrations, Magic Realism presents five thematic essays on the social and artistic spaces of Weimar culture. "The Circus" examines artistic depictions of transgression, against the backdrop of mass entertainment; "The street and the Studio"demostrates the inter-connections between public and private spaces in treatment an subject matter; the significant upsurge in religious feeling is reviewed in "Faith"; while "The Cabaret" returns to the irreverent, presenting the unusual characters of the underground. (Περιγραφή από το οπισθόφυλλο).02aΟικονόμουbΓιώργοςxΣυλλογές τέχνης02aTate Modern (London)xExhibitions0 aΜαγικός ρεαλισμός (Τέχνη)yΓερμανίαxΕκθέσεις0 aΤέχνη, Γερμανικήz20ός αιώναςz1919-1933xΕκθέσεις0 aMagic realism (Art)yGermanyxExhibitions0 aArt, Germany20th centuryz1919-1933xExhibitions0 aPainting, GermanxThemes, motives  aΓερμανίαxΠνευματική ζωήz20ός αιώνας  aGermanyxIntellectual lifez20th century  a759.06 DE 1aGalebMatthew4070 1aWanbKaty407002aTate Publishing465002aTate Modern (London) 0aGRbNATIONAL GALLERYgAACR2  aINSTbLIBRARYe20201105h759.06 DE GALp036000031023q036000031023t1uBK  b0027796  cΑΓΟΡΑz2020  a2020-11bΜΟΝΟΓΡΑΦΙΑ  aΜΕΝΤΖΑΦΟΥbΕΛΕΝΗz2020-11