04175nam0a2200385 i 45000010008000000050017000080100015000250100018000400350013000581000041000711010013001122000090001252100044002152150012002592600009002713000085002803270748003653301897011136010061030106060065030716060072031366060088032086060044032966060050033406060052033906860013034427020032034557120053034878010032035408520082035729200021036549200036036759600034037119700044037451-2792420220928150105.0  a9612060793  a9789612060190  l10029505  a20210113d1998       y0grey010503  ba0 aengaslv1 aBody and the eastefrom 1960s to the presentfcur. of the exhibition Zdenka Badovinac  aLjublijanacMuseum of Modern Art d1998  a192 σ.  c1998  aΈκθεση: Museum of Modern Art, Ljubljana, Slovenia 7 July-27 September 19981 aZdenka Badovinac. -- Kristine Stiles. -- Bolgarija / Bulgaria / Iara Boubnova. Rassim Krastev. Ventsislav Zankov. -- Bosna in Hercegovina / Bosnia and Herzegovina / Meliha Husedzinov. Jusuf Hadzifejzovic. Nebojsa Seric-Soba. -- Ceska / Czech Republic / Jiri Sevcik. Milan Knizak. Jiri Kovanda. Karel Miler. Jan Mlcoch. Jiri Suruvka. Petr Stembera. Margita Titlova-Ylovsky. -- Hrvaska / Croatia / Branka Stipancic. Nenad Dancuo. Vlasta Delimar. Tomislav Gotovac. Aleksandar Ilic. Sanja Ivekovic. Bozidar Jurjevic. Dalibor Martinis. Slaven Tolj. -- Jugoslavija / Yugoslavia / Bojana Pejic. Dejan Sretenovic. Marina Abramovic. Dejan Andelkovic & Jelica Radovanovic. Radomir Damnjan. Era Milivojevic. Tanja Ostojic. Nesa Paripovic. Nenad Rackovic.  aWith essays by Joseph Backstein, Iara Boubnova, Jurij Krpan, Ileana Pintilie, Kristine Stiles, Branka Stipancic, Igor Zabel, and others The earliest "body art" was created in Eastern Europe in the early 1960s. The term "body art" includes a wide range of practices in which the artist's own body is the bearer of social, political, metaphorical, and philosophical content. This book includes essays on eighty artists from fourteen countries: Bosnia and Herzegovina, Bulgaria, Croatia, Czech Republic, the former GDR, Hungary, Lithuania, Moldova, Poland, Romania, Russia, Slovakia, Slovenia, and Yugoslavia. Introductory essays by Zdenka Badovinac and Kristine Stiles discuss the tradition of an art form that emerged during socialism in cultural centers such as Prague, Belgrade, Ljubljana, Warsaw, and Zagreb. In these places public actions, particularly on the street, were often banned--and artists arrested--by the police. Therefore many of the actions documented here took place in private apartments, with the artists performing at great personal risk. The art survived not only despite the absence of any art market, but also despite its marginalization by political regimes. The artists turned their marginalization to an advantage, creating art out of the contingencies and necessities of survival. The art represented here reminds us of the psychological and intellectual freedoms that artistic expression affords under politically repressive conditions.This bilingual (Slovenian/English) book was originally published in conjunction with a major retrospective exhibition of body art held last year at the Museum of Modern Art in Ljubljana. Some of the artists, such as Marina Abramovic and Komar & Melamid, are well known internationally. Others, such as Alexander Brener, Sanja Ivekovic, Laibach, Paul Neagu, and Marko Peljhan, are known to special audiences in the East and West.01aMuseum of Modern Art (Ljublijana, Slovenia)xExhibitions0 aΕκθέσειςyΣλοβενίαxΚατάλογοιz19980 aPerformance artyΕυρώπη, ΑνατολικήxΕκθέσεις0 aΤέχνηyΕυρώπη, Ανατολικήz20ός αιώναςxΕκθέσεις0 aExhibitionsySloveniaxCataloguesz19980 aPerformance artyEurope, EasternxExhibitions0 aArtyEurope, Easternz20th centuryxExhibitions  a707.4 SI 1aBadovinacbZdenka42204070  aMuseum of Modern Art (Ljublijana, Slovenia)4650 0aGRbNATIONAL GALLERYgAACR2  aINSTbLIBRARYe20210114h707.4 SI 1998 BODp036000032155q036000032155t1uBK  cΔΩΡΕΑz2020  aΙΣΕΤbΈφη Στρούζα  a2021-01bΜΟΝΟΓΡΑΦΙΑ  aΜΕΝΤΖΑΦΟΥbΕΛΕΝΗz2021-01