02028cam0a2200337   45000010008000000050017000080100021000251000041000461010008000872000079000952100042001742150031002162250037002472600009002843200071002933300848003646060043012126060050012556060071013056060029013766060029014056060039014346060016014736060016014896760008015057000029015137120033015428520082015759090012016579200021016691-8525420230406160609.0  a978-94-6270242-4  a20230406d20202020mkky0frey        ba  aeng1 aA gust of photo-philia ephotography in the art museumfAlexandra Moschovi  aLeuvencLeuven University Pressd1070  a329 σ.cεικ.d23 εκ.1 aLieven Gevaert series ;vvol. 29  c1070  aΠεριέχει βιβλιογραφικές παραπομπές  aPhotography was long regarded as a "middlebrow" art by the art institution. Yet, at the turn of the millennium it became the hot, global art of our time. In this book - part institutional history, part account of shifting photographic theories and practices - Alexandra Moschovi tells the story of photography?s accommodation in and as contemporary art in the art museum. Archival research of key exhibitions and the contrasting collecting policies of MoMA, Tate, the Guggenheim, the V&A, and the Centre Pompidou offer new insights into how art as photography and photography as art have been collected and exhibited since the 1930s. Moschovi argues that this accommodation not only changed photography?s status in art, culture, and society, but also played a significant role in the rebranding of the art museum as a cultural and social site.0 aΦωτογραφίαxΕκθέσεις0 aΜουσεία τέχνηςxΕκθέσεις0 aΜουσεία τέχνηςxΔιαχείριση συλλογών  aPhotographyxExhibitions  aArt museumsxExhibitions  aArt museumsxCollection management  aArt museums  aPhotography  a069 1aMoschovibAlexandra407002aLeuven University Press4650  aINSTbLIBRARYe20230406f10000045h069 MOSp036000033786q036000033786uBKy4  b0029830  cΑΓΟΡΑz2023