02652nam0a2200325   45000010008000000050017000080100018000250100022000431000041000651010008001062000073001142100052001872150031002392250062002702600009003323000099003413200093004403301358005336060078018916060065019696060039020346060033020736860014021067000032021207120024021528010042021768520075022189090012022939200021023051-8545820240314143526.0  a1-912554-00-3  a978-1-912554-00-3  a20230905d20192019   y0frey03      ba  aeng1 aPainting as a modern art in Early Renaissance Italy fRobert Brennan  aLondon/TurnhoutcHarvey Miller Publishersd2022  a361 σ.cεικ.d29 εκ.1 aRenovatio artium : studies in the arts of the Renaissance  c2022  a"Harvey Miller Publishers An Imprint of Brepols Publishers London/Turnhout"--Title page verso.  aΠεριέχει βιβλιογραφικές αναφορές και ευρετήριο  aWhat did it mean for art to be "modern" before the period we regard as Modernity today? Concepts of modernity have played a constitutive role in the canon of European art history at least since Giorgio Vasari, who looked back upon Giotto as the founder of 'modern art' (arte moderna). The aim of this book is to establish a prehistory of Vasari's view. Was Vasari merely projecting a sixteenth-century concept of artistic modernity onto the fourteenth and fifteenth centuries, or were the artists of that period guided by some notion of modernity as well? Brennan argues that discussions of 'modern art' were in fact widespread during Giotto's time, according to the broad, medieval definition of 'art' (ars) that encompassed activities as diverse as arithmetic, poetry, carpentry, music, and preaching. Within this discourse, to make an art 'modern' meant setting it on a new foundation in 'science' (scientia) and rationalizing it accordingly. By the year 1400, Florentine writers such as Cennino Cennini and Franco Sacchetti were applying these same terms and principles to Giotto. In doing so they shed light not only on the structure of artistic development in the fourteenth century, but also on the way Giotto's legacy shaped the prerogatives of artists in the early fifteenth, that is, in the generation of Brunelleschi, Donatello, and Masaccio.0 aΖωγραφική, Πρώιμη ΑναγεννησιακήxΙταλία0 aΖωγραφική, ΑναγεννησιακήyΙταλία  aPainting, Early RenaissanceyItaly  aPainting, RenaissanceyItaly  a759.03 IT 1aBrennanbRobertf1983-407002aHarvey Miller 4650  aGRbNATIONAL GALLERYc20230905gAACR2  aINSTbLIBRARYe20230905h759.03 IT BREp036000037421q036000037421uBK  b0029935  cΑΓΟΡΑz2023