03459nam0a2200433 45000010008000000050017000080100022000250100018000471000041000651010008001062000196001142100045003102150041003552600009003963000148004053200072005533270578006253300987012036000053021906000044022436000047022876000047023346060084023816060066024656060061025316060046025926060042026386060034026806760014027147010038027287010025027667010026027917010027028177120031028448010042028758520075029179090012029929200021030041-8545920230905144822.0 a978-1-912520-90-9 a1-912520-90-7 a20230905d20222022 y0frey03 ga aeng1 aMaking modernism ePaula Modersohn-Becker, Käthe Kollwitz, Gabriele Münter, Marianne Werefkinfexhibition curators, Dorothy Price, Sara Lea, assisted by Rhiannon Hope and Sylvie Broussine aLondoncRoyal Academy Publicationsd2022 a165 σ.cεικ. εγχρ.d28 εκ. c2022 aFirst published on the occasion of the exhibition at the Royal Academy of Arts, London 12 November 2022 - 12 February 2023."--Title page verso. aΠεριέχει βιβλιογραφία και ευρετήριο0 aThe making of Modernism in imperial Germany / Dorothy Price -- "To be a painter is to be alive" / Chantal Joffe RA in conversation with Dorothy Price -- Making a name : a Sturm exhibition of Jacoba van Heemskerck and Marianne Werefkin, March 1914 / Shulamith Behr -- Catalogue plates with artists' biographies : Paula Modersohn-Becker (1876-1907), Käthe Kollwitz (1867-1945), Gabriele Münter (1877-1962), Marianne Werefkin (1860-1938), Ottilie Reylaender (1882-1965), Jacoba van Heemskerck (1876-1923), Erma Bossi (1875-1952) / by Sarah Lea -- Timeline / Rhiannon Hope. a"Paula Modersohn-Becker, Käthe Kollwitz, Gabriele Münter and Marianne Werefkin are among the exceptional artists associated with the emergence of Expressionism in Germany in the early decades of the twentieth century. Each challenged prevailing ideals of feminine identity at a time of great societal change. As women, they were expected to marry and raise a family; some chose to, some did not. As ambitious artists, all wanted to work, and as they rose to these challenges, their art further undermined conventions. Their depictions of children symbolise joy, hope and innocence but also melancholy, tension, curiosity, the passing of time and unfulfilled desire. Their radical depictions of the nude wrest the female body away from the male gaze towards a newfound role, expressive of powerful maternity and female subjectivity. These dramatic modernist compositions, with their fluid brushwork and bright hues, push at the boundaries of form, colour and spiritual meaning"-- 1aModersohn-BeckerbPaula,f1876-1907xExhibitions 1aKollwitzbKathef1867-1945xExhibitions 1aMünterbGabrielef1877-1962xExhibitions 1aWerefkinbMariannef1860-1938xExhibitions0 aΕξπρεσσιονισμός (Τέχνη)yΓερμανίαxΕκθέσεις0 aΓυναίκες ΚαλλιτέχνιδεςxΕκθέσεις0 aΦεμινισμός και τέχνηxΕκθέσεις aExpressionism (Art)yGermanyxExhibitions aWomen paintersyGermanyjExhibitions. aFeminism in artjExhibitions. a709.04042 1aPricebDorothy Cf1969-40704220 1aLeabSarah40704220 1aHope bRhiannon 4220 1aBroussinebSylvie422002aRoyal Academy of Arts4650 aGRbNATIONAL GALLERYc20230905gAACR2 aINSTbLIBRARYe20230905h709.04042 MAKp036000037420q036000037420uBK b0029939 cΑΓΟΡΑz2023