Sofonisba's lesson : a Renaissance artist and her work / Michael W. Cole
"Within a span of seven or eight years in the 1550s, the Italian painter Sofonisba Anguissola produced more self-portraits than any known painter before her had in a lifetime. She was the first known artist in history to take her parents and siblings as primary subject matter, and may have... Πλήρης περιγραφή
| Συγγραφείς: | Cole Michael Wayne 1969- |
|---|---|
| Κατηγορία Υλικού: | Βιβλίο |
| Γλώσσα: | English |
| Έκδοση: |
Princeton and Oxford : 2019 |
| Θέματα: | |
| Ετικέτες: |
Προσθήκη ετικέτας
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| LEADER | 02224nam0a2200289 4500 | ||
|---|---|---|---|
| 001 | 1-85466 | ||
| 005 | 20240611152257.0 | ||
| 010 | |a 978-0-691-19832-3 | ||
| 100 | |a 20230906d20192019 y0frey03 ba | ||
| 101 | |a eng | ||
| 200 | 1 | |a Sofonisba's lesson |e a Renaissance artist and her work |f Michael W. Cole | |
| 210 | |a Princeton and Oxford |c Princeton University Press |d 2019 | ||
| 215 | |a 307 σ. |c εικ. |d 25 εκ. | ||
| 260 | |c 2019 | ||
| 320 | |a Περιέχει βιβλιογραφία (σελ. 274-300) και ευρετήριο | ||
| 327 | 0 | |a "In the presence of her father" -- "The most affectionate disciple" -- The image of learnedness -- The image of teaching -- Spain -- Painting and the education of daughters -- Catalogue. | |
| 330 | |a "Within a span of seven or eight years in the 1550s, the Italian painter Sofonisba Anguissola produced more self-portraits than any known painter before her had in a lifetime. She was the first known artist in history to take her parents and siblings as primary subject matter, and may have painted the first group portrait featuring only women. Cole examines Sofonisba's paintings as expressions of her relationships and networks, looking at why Sofonisba was able to become a great woman artist: at her father, who decided to allow her to be educated as a painter; at her teacher, Bernardino Campi; and at her relationships with her students, sisters, and patrons, who included the Queen of Spain. Cole demonstrates that Sofonisba made teaching and education a central theme of her painting. The book also provides the first complete catalogue of all of Sofonisba's known works"-- | ||
| 600 | 1 | |a Anguissola |b Sofonisba, |f approximately 1532 or 1533-1625 |x Criticism and interpretation | |
| 600 | 1 | |a Anguissola |b Sofonisba, |f approximately 1532 or 1533-1625 |x Catalogues raisonnés | |
| 606 | 0 | |a Γυναίκες ζωγράφοι |x Κοινωνικά δίκτυα |y Ιταλία | |
| 606 | |a Women painters |x Social networks |y Italy | ||
| 686 | |a Μ | ||
| 700 | 1 | |a Cole |b Michael Wayne |f 1969- |4 070 | |
| 801 | |a GR |b NATIONAL GALLERY |c 20230906 |g AACR2 | ||
| 852 | |a INST |b LIBRARY |e 20230906 |h M ANG 2019 |p 036000037412 |q 036000037412 |u BK |y 0 | ||
| 909 | |b 0029944 | ||
| 920 | |c ΑΓΟΡΑ |z 2023 | ||
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