03265cam0a2200409   45000010008000000050017000080100022000250100018000470100022000650100018000870100022001050100018001270100022001450100018001670100018001850100018002031000041002211010008002622000135002702150031004053200093004363270552005293301147010816060062022286060094022906060111023846060039024956060055025346060062025896760012026517000025026637120019026888010042027078520073027499090012028229200021028341-8553720230922120414.0  a978-1-00-310396-7  a1-00-310396-0  a978-1-00-021316-4  a1-00-021316-1  a978-1-00-021150-4  a1-00-021150-9  a978-1-00-021227-3  a1-00-021227-0  z9781474271561  z9781474271578  a20230922d20212021m  y0frey        ba  aeng1 aThe gender of photography ehow masculine and feminine values shaped the history of nineteenth-century photographyfNicole Hudgins  a295 σ.cεικ.d24 εκ.  aΠεριέχει βιβλιογραφικές αναφορές και ευρετήριο0 aPhotography 1. What Was the Problem with Femininity? 2. "Masculine" Photography in the Nineteenth Century 3. Theatricality 4. Tactility 5. Softness 6. Hybridity Part Two: A Medium of Masculinity 7. From Gender Neutral to a Masculine Medium 8. Building a Republic of Photography 9. Establishing the Paternity of Photography 10. No Girls Allowed? 11. Feminine Silence 12. Defending Photography Part Three: Women in the Studio 13. Just Charming 14. Work for Women? 15. The Gender of Coloring 16. The Femininity of the Studio 17. Studios of Their Own.  aIt would be unthinkable now to omit early female pioneers from any survey of photography's history in the Western world. Yet for many years the gendered language of American, British and French photographic literature made it appear that women's interactions with early photography did not count as significant contributions. Using French and English photo journals, cartoons, art criticism, novels, and early career guides aimed at women, this volume will show why and how early photographic clubs, journals, exhibitions, and studios insisted on masculine values and authority, and how Victorian women engaged with photography despite that dominant trend. Focusing on the period before 1890, when women were yet to develop the self-assurance that would lead to broader recognition of the value of their work, this study probes the mechanisms by which exclusion took place and explores how women practiced photography anyway, both as amateurs and professionals. Challenging the marginalization of women's work in the early history of photography, this is essential reading for students and scholars of photography, history and gender studies.0 aΦωτογραφίαxΙστορίαz19ος αιώνας0 aΓυναίκες, φωτογράφοιxΙστορίαyΓαλλίαz19ος αιώνας0 aΓυναίκες, φωτογράφοιxΙστορίαyΜεγάλη Βρετανίαz19ος αιώνας  aPhotographyxHistoryy19th century  aWomen photographersxHistoryyFrancez19th century  aWomen photographersxHistoryyGreat Britainz19th century  a779.092 1aHudginsbNicole407002aRoutledge4650  aGRbNATIONAL GALLERYc20230922gAACR2  aINSTbLIBRARYe20230922h779.092 HUDp036000037337q036000037337uBK  b0030029  cΑΓΟΡΑz2023