03163nam a2200337 45000010008000000050017000080100018000251000041000431010008000842000145000922100024002372150045002612250031003062600009003373200072003463270970004183301019013884100032024076060062024396060039025016760013025407020033025537020021025867020026026077020028026337120015026618010042026768520074027189090012027929200021028041-8568720231130152659.0 a9788857215082 a20231130d2013####m y0grey0103 ba aeng1 aPhotography eFrom the Press to the Museum, 1941-1980fedited by Walter Guadagninigtexts by Urs Stahel, Francesco Zanot, Camiel van Winkel. aMilanocSkirad2013 a303 σ.cασπρ. & εγχρ.d29 εκ.1 aComposition of the Workv3 c2013 aΠεριέχει ευρετήριο και βιβλιογραφία aIntroduction / Walter Guadagnini -- From truth to truthfulness (and from pathos to system) : the evolution of documentary photography between 1950 and 1980 / Urs Stahel -- Alberto Lattuada -- Helen Levitt -- Weegee -- Robert Doisneau -- zSubjektive Fotografiey -- Henri Cartier-Bresson -- zThe Family of Many -- Josef Sudek -- William Klein -- Ed van der Elsken -- Robert Frank -- Richard Avedon -- Shomei Tomatsu, William Eugene Smith / Francesco Zanot -- The colour revolution : 1940-80 / Francesco Zanot -- Ed Ruscha -- zNew Documentsy -- Minor White -- Takuma Nakahira, Daido Moriyama -- Larry Clark -- Donald McCullin, Philip Jones Griffiths / Francesco Zanot -- Inadequate descriptive systems : photography and conceptual art / Camiel van Winkel -- Gerhard Richter -- Bernhard and Hilla Becher -- Ugo Mulas -- Josef Koudelka -- David Goldblatt -- zNew Topographicsy -- William Eggleston -- Larry Sultan & Mike Mandel / Francesco Zonat -- Glossary -- Timeline. aThe third volume in the Skira Photography series serving as a major reference in the field. The third volume (19411980) of Skiras History of Photography series focuses on the years marked by the revolution of colour that meant the start of a radical change in the very nature of amateur photography. At the same time, through photojournalism photography became a mirror of society and a tool for attempts to change it. This monograph traces the historical evolution of photography, focusing on artists such as Helen Levitt, Weegee, Robert Doisneau, Henri Cartier-Bresson, Josef Sudek, William Klein, Robert Frank, Richard Avedon, Shomei Tomatsu, William Eugene Smith, Gerhard Richter, Bernhard and Hilla Becher, Ugo Mulas, Ed Ruscha, Larry Clark, just to name a few. The essays provide an in-depth discussion of some of the primary themes of the historical period: the evolution of documentary photography between 1950 and 1980, the revolution of colour and the relationship between photography and conceptual art. 1tComposition of the Work v30 aΦωτογραφίαxΙστορίαz20ός αιώνας0 aPhotographyxHistoryy20th century a770.9045 1aGuadagninibWalter40804340 1aStahelbUrs4070 1aZanotbFrancesco4070 1aVan WinkelbCamiel407002aSkira4650 aGRbNATIONAL GALLERYc20220603gAACR2 aINSTbLIBRARYe20231130h770.9045 GUAp036000039980q036000039980uBK b0030092 cΑΓΟΡΑz2023