03349nam a2200421   45000010008000000050017000080100015000250100018000401000041000581010008000992000124001072100011002312100076002422150053003182250022003712600009003933000077004023200071004793271122005503300562016724100022022346010058022566060017023146060069023316060047024006060093024476060039025406060026025796060056026056760011026617020029026727020031027017120035027328010042027678520085028099090012028949200021029061-8580420240123104547.0  a1857099877  a9781857099874  a20240122d2002####m  y0grey0103    ba  aeng1 aUnderdrawings in Renaissance paintingsfedited by: David Bomford, with contributions from: Rachel Billinge ... [et al.]  aLondon  aNew HavencNational GallerycDistributed by Yale University Pressd2002  a192 σ.cεικ. ασπρ. & εγχρ.d27 εκ.1 aArt in the making  c2002  aΈκθεση: National Gallery, London, 30 October 2002-16 February 2003  aΠεριέχει βιβλιογραφικές σημειώσεις  aEssays (Introduction -- The materials of underdrawing -- The artists of "the North": their drawings and underdrawings -- Drawing and design in Italian Renaissance painting) -- Catalogue (Saints Matthew, Catherine of Alexandria and John the Evangelist / Stephan Lochner -- Saint Jerome / Cosimo Tura -- The Dead Christ Supported by Two Angels / Carlo Crivelli -- A Young Man at Prayer / Hans Memling -- Portrait of a Young Man / Master of the View of St. Gudula -- The Conversion of Saint Hubert / Master of the Life of the Virgin -- The Virgin and Child with Musical Angels / Workshop of the Master of the Saint Bartholomew Altarpiece -- The Procession to Calvary / Raphael -- The Madonna and Child with the Infant Baptist (The Garvagh Madonna) / Raphael -- The Adoration of the Kings / Giorgione -- Saints Christina and Ottilia / Lucas Cranach the Elder -- Joseph with Jacob in Egypt / Pontormo -- Christ taking Leave of His Mother / Albrecht Altdorfer -- The Flight into Egypt / Workshop of the Master of 1518 -- Two Tax Gatherers / Marinus van Reymerswale -- The Adoration of the Kings / Pieter Bruegel the Elder).  aPreliminary drawings beneath the surface layers of a painting can often be made visible by a technique called infra-red reflectography. The fascinating revelations of such underdrawings are always a source of important material for art history, leading to deductions about attribution, style, changes in composition, and workshop practices. This accessible book presents the results of pioneering research on the underdrawings of fifteenth- and sixteenth-century paintings by conservation, scientific, and curatorial staff at the National Gallery in London. 1tArt in the making  aNational Gallery (London, Great Britain)xExhibitions0 aUnderdrawing0 aΖωγραφική, ΑναγεννησιακήxΕκθέσεις0 aΖωγραφικήxΡαδιογραφία0 aΖωγραφικήxΣυντήρηση και αποκατάστασηxΕκθέσεις0 aPainting, RenaissancexExhibitions0 aPaintingxRadiography0 aPaintingxConservation and restorationxExhibitions  a702.62 1aBomfordbDavid40704220 1aBillingebRachel4070422002aNational Gallery (London)4650  aGRbNATIONAL GALLERYc20220603gAACR2  aINSTbLIBRARYe20240122f10000067h702.62 UNDp036000039843q036000039843uBKy4  b0030186  cΑΓΟΡΑz2024