Art and the moving image : a critical reader / edited by Tanya Leighton

The mutual fascination between art and cinema has had a great influence on contemporary culture. For the past fifty years, the love/hate affair between the two has triggered vital aesthetic, social and political responses that constantly renew the way we understand our age. This book traces the... Πλήρης περιγραφή

Άλλοι συγγραφείς:	Leighton Tanya
Κατηγορία Υλικού:	Βιβλίο
Γλώσσα:	English
Έκδοση:	London : Tate Publishing, 2008 Afterall (Organization),
Θέματα:	Τέχνη και κινηματογράφος Βιντεοτέχνη > Φιλοσοφία Κινηματογράφος > Φιλοσοφία Τέχνη, Μοντέρνα > Φιλοσοφία
Ετικέτες:	Προσθήκη ετικέτας Δεν υπάρχουν, Καταχωρήστε ετικέτα πρώτοι!

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200	1		\|a Art and the moving image \|e a critical reader \|f edited by Tanya Leighton
210			\|a London \|c Tate Publishing in association with Afterall \|d 2008
215			\|a 496 σ. \|c εικ. ασπρ. \|d 25 εκ.
260			\|c 2008
320			\|a Περιέχει βιβλιογραφία (σ.482-493) και ευρετήριο
327	0		\|a Preface / Charles Esche -- Introduction / Tanya Leighton -- Colour plates -- Part I. Histories and revisions -- Fluxfilms in three false starts / Bruce Jenkins -- 'Culture: Intercom' and expanded cinema: a proposal and manifesto / Stan VanDerBeek -- Enclosed by images: the Eameses' multimedia architecture / Beatriz Colomina -- 'My mind split open': Andy Warhol's exploding plastic inevitable / Branden W. Joseph -- The Museum of attractions: marcel Broodthaers and the 'Section Cinema' / Eric de Bruyn -- Paul Sharits and the active spectator / Federico Windhausen -- Bare lives / Pamela M. Lee -- Leisure 73 / Sabeth Buchmann -- The two avant-gardes / Peter Wollen -- Modes of film practice in the avant-garde / Jonathan Walley -- Part II. The agonistic relationship between video and television -- Hardware: the videosphere / Gene Youngblood -- Video: the aesthetics of narcissism / Rosalind Krauss -- Tale of the tape: 'Radical Software' / David Joselit --Dependent participation: Bruce Nauman's environments / Janet Kraynak -- After the cull / Elizabeth Bennett Hupp -- Live on tape: video, liveness and the immediate / William Kaizen -- The art of the possible: notes about some installations by Harun Farocki / Christa Blumlinger -- Video, flows and real time / Maurizo Lazzarato -- Five years later / Bill Horrigan -- Part III. From cinema to post-cinema -- Deleuze's time, or how the cinematic changes our idea of art / John Rajchman -- Difference and repetition: on Guy Debord's films / Giorgio Agamben -- From movies to moving / Serge Daney -- The time of re-departure: after cinema, the cinema of the subject / Jean-Chrisotphe Royoux -- Dissolution of the frame: immersion and participation in video installations / Ursula Frohne -- Video projection: the space between screens / Liz Kotz -- Siting cinema / Andrew V. Uroskie -- Moving images moving images / John Kelsey -- Of an other cinema / Raymond Bellour -- The gap between film and installation art / Alexander Alberro -- White cube, black box and grey areas: venues and values / Gregor Stemmrich -- Art and cinema: some critical reflections / Mark Nash -- 'You Never Know the Whole Story': Ute Friederike Jurss and the aesthetics of the heterochronic image / Thomas Y. Levin
330			\|a The mutual fascination between art and cinema has had a great influence on contemporary culture. For the past fifty years, the love/hate affair between the two has triggered vital aesthetic, social and political responses that constantly renew the way we understand our age. This book traces the story from early spatial experiments with film and video technologies to the current widespread use of projected images in museums and galleries. Why has there been a turn to the cinematic in contemporary art? What happens to the moving image when it shifts from the black box to the white cube, when cinema is exhibited? How does this challenge the traditional mediums of film, painting and sculpture? 'Art and the Moving Image' gathers together key texts including new, translated and previously unavailable essays by eminent writers and theorists including Giorgio Agamben, Beatriz Colomina, Serge Daney, Rosalind Krauss, Maurizio Lazzaratto and Peter Wollen. It offers an essential introduction to the complex field of art and the projected image for both students and general readers. -- ΠΕΡΙΓΡΑΦΗ ΕΞΩΦΥΛΛΟΥ.
606	0		\|a Τέχνη και κινηματογράφος
606	0		\|a Βιντεοτέχνη \|x Φιλοσοφία
606	0		\|a Κινηματογράφος \|x Φιλοσοφία
606	0		\|a Τέχνη, Μοντέρνα \|x Φιλοσοφία
676			\|a 709.04001 \|v 22
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702		1	\|a Leighton \|b Tanya \|4 340
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920			\|c ΔΩΡΕΑ \|z 2020
920			\|a ΙΣΕΤ \|b Έφη Στρούζα
960			\|a 2021-04 \|b ΜΟΝΟΓΡΑΦΙΑ
970			\|a ΜΕΝΤΖΑΦΟΥ \|b ΕΛΕΝΗ \|z 2021-04

Παρόμοια τεκμήρια

Art and intention a philosophical study
Από: Livingston Paisley 1951- Έκδοση: (2005)
Κινητή εικόνα
Από: Αγραφιώτης Δημοσθένης 1946- Έκδοση: (1990)
Βουστροφηδόν και άλλα γραπτά
Από: Markopoulos Gregory J. 1928-1992 Έκδοση: (2004)
The future of the image
Από: Ranciere Jacques 1940- Έκδοση: (2009)
The Reenchantment of Art
Από: Gablik Suzi 1934- Έκδοση: (1991)

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