Alonso Berruguete : first sculptor of Renaissance Spain / C.D. Dickerson III and Mark McDonald, with Manuel Arias Martínez [and five others]

"Alonso Berruguete (c. 1488-1561) revolutionized the arts of Renaissance Spain with a dramatic style of sculpture that reflected the decade or more he had spent in Italy while young. Trained as a painter, he traveled to Italy around 1506, where he interacted with Michelangelo and other leading... Πλήρης περιγραφή

Συγγραφείς: Dickerson C III, McDonald Mark P, Arias Martínez Manuel
Κατηγορία Υλικού: Βιβλίο
Γλώσσα: English
Έκδοση: Washington : National Gallery of Art (Washington, US), 2019
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005 20230905144749.0
010 |a 978-0-300-24831-9 
010 |a 978-84-15-24584-1 
100 |a 20230905d20192019 y0frey ba 
101 |a eng 
200 1 |a Alonso Berruguete   |e first sculptor of Renaissance Spain  |f C.D. Dickerson III and Mark McDonald, with Manuel Arias Martínez [and five others] 
210 |a Washington  |c National Gallery of Art  |d 2019 
215 |a 229 σ.  |c εικ. εγχρ.  |d 31 εκ. 
260 |c 2019 
300 |a Έκθεση: National Gallery of Art, Washington: October 13, 2019 - February 17, 2020, and the Meadows Museum, SMU, Dallas: March 29 - July 26, 2020. 
320 |a Περιέχει βιβλιογραφικές παραπομπές και ευρετήριο 
330 |a "Alonso Berruguete (c. 1488-1561) revolutionized the arts of Renaissance Spain with a dramatic style of sculpture that reflected the decade or more he had spent in Italy while young. Trained as a painter, he traveled to Italy around 1506, where he interacted with Michelangelo and other leading artists. In 1518, he returned to Spain and was appointed court painter to the new king, Charles I. Eventually, he made his way to Valladolid, where he shifted his focus to sculpture, opening a large workshop that produced breathtaking multistory altarpieces (retablos) decorated with sculptures in painted wood. This handsomely illustrated catalogue is the first in English to treat Berruguete's art and career comprehensively. It follows his career from his beginnings in Castile to his final years in Toledo, where he produced his last great work, the marble tomb of Cardinal Juan de Tavera. Enriching the chronological narrative are discussions of important aspects of Berruguete's life and practice: his complicated relationship with social status and wealth; his activity as a draftsman and use of prints; how he worked with his many assistants to create his wood sculptures; and his legacy as an artist"-- 
600 1 |a Berruguete  |b Alonso,  |f 1480?-1561  |x Criticism and interpretation  |x Exhibitions 
601 |a National Gallery of Art (Washington, US)  |x Exhibitions 
601 |a Meadows Museum of Art (Dallas, US)  |x Exhibitions 
606 0 |a Γλύπτες  |y Ισπανία 
606 0 |a Γλυπτική, Ισπανική  |z 16ος αιώνας  |x Εκθέσεις 
606 0 |a Γλυπτική, Αναγεννησιακή  |y Ισπανία  |x Exhibitions 
606 |a Sculptors  |y Spain 
606 |a Sculpture, Spanish  |z 16th century  |j Exhibitions. 
606 |a Sculpture, Renaissance  |y Spain  |j Exhibitions. 
676 |a M 
700 1 |a Dickerson  |b C  |c III  |4 070  |4 220 
701 1 |a McDonald  |b Mark P  |4 070  |4 220 
701 1 |a Arias Martínez  |b Manuel  |4 070  |4 220 
712 0 2 |a National Gallery of Art (Washington, US)  |4 650 
801 |a GR  |b NATIONAL GALLERY  |c 20230905  |g AACR2 
852 |a INST  |b LIBRARY  |e 20230905  |h M BER 2019  |p 036000037419  |q 036000037419  |u BK  |y 0 
909 |b 0029938 
920 |c ΑΓΟΡΑ  |z 2023 

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