Sense knowledge and the challenge of Italian Renaissance art : El Greco, Vélazquez, Rembrandt / Giles Knox
Giles Knox examines how El Greco, Velázquez, and Rembrandt, though a disparate group of artists, were connected by a new self-consciousness with respect to artistic tradition. In particular, Knox considers the relationship of these artists to the art of Renaissance Italy, and sets aside... Πλήρης περιγραφή
Συγγραφείς: | Knox Giles |
---|---|
Κατηγορία Υλικού: | Βιβλίο |
Γλώσσα: | English |
Έκδοση: |
Amsterdam : Amsterdam University Press, 2019 |
Θέματα: | |
Ετικέτες: |
Προσθήκη ετικέτας
Δεν υπάρχουν, Καταχωρήστε ετικέτα πρώτοι!
|
LEADER | 02495nam0a2200361 4500 | ||
---|---|---|---|
001 | 1-85464 | ||
005 | 20230908144727.0 | ||
010 | |a 94-6372-571-7 | ||
010 | |a 978-94-6372-571-2 |b rel. | ||
100 | |a 20230906h20192019k y0frey50 ba | ||
101 | 0 | |a eng | |
200 | 1 | |a Sense knowledge and the challenge of Italian Renaissance art |e El Greco, Vélazquez, Rembrandt |f Giles Knox | |
210 | |a Amsterdam |c Amsterdam University Press |d 2019 | ||
215 | |a 272 σ. |d 24 εκ. | ||
260 | |c 2019 | ||
320 | |a Περιέχει βιβλιογραφία, βιβλιογραφικές σημειώσεις και ευρετήριο | ||
330 | |a Giles Knox examines how El Greco, Velázquez, and Rembrandt, though a disparate group of artists, were connected by a new self-consciousness with respect to artistic tradition. In particular, Knox considers the relationship of these artists to the art of Renaissance Italy, and sets aside nationalist art histories in order to see the period as one of fruitful exchange. Across Europe during the seventeenth century, artists read Italian-inspired writings on art, and these texts informed how they contemplated their practice. Knox demonstrates how these three artists engaged dynamically with these writings, incorporating or rejecting the theoretical premises to which they were exposed. Additionally, this study significantly expands our understanding of how paintings can activate the sense of touch. Knox discusses how Velázquez and Rembrandt, though in quite different ways, sought to conjure for viewers thoughts about touching that resonated directly with the subject matter they depicted -- 4e de couv. | ||
600 | 1 | |a Θεοτοκόπουλος |b Δομήνικος |f 1541-1614 | |
600 | 1 | |a Velazquez |b Diego |f 1599-1660 | |
600 | 1 | |a Rembrandt Harmenszoon van Rijn |f 1606-1669 | |
606 | 0 | |a Ζωγραφική, Αναγεννησιακή |x Ιταλικές επιδράσεις | |
606 | 0 | |a Τέχνη, Αναγεννησιακή |x Ιταλικές επιδράσεις | |
606 | 0 | |a Άγγιγμα στην τέχνη | |
606 | |a Painting, Renaissance |x Italian influences | ||
606 | |a Art, Renaissance |x Italian influences | ||
606 | |a Touch in art | ||
676 | |a 759.03 IT | ||
700 | 1 | |a Knox |b Giles |4 070 | |
712 | 0 | 2 | |a Amsterdam University Press |4 650 |
801 | |a GR |b NATIONAL GALLERY |c 20230906 |g AACR2 | ||
852 | |a INST |b LIBRARY |e 20230906 |h 759.03 IT KNO |p 036000037414 |q 036000037414 |u BK |y 0 | ||
909 | |b 0029955 | ||
920 | |c ΑΓΟΡΑ |z 2023 |