The disciplinary frame : photographic truths and the capture of meaning / John Tagg

"Photography can seem to capture reality and the eye like no other medium, commanding belief and wielding the power of proof. In some cases, a photograph itself is attributed the force of the real. How can a piece of chemically discolored paper have such potency? How does the meaning of a... Πλήρης περιγραφή

Συγγραφείς: Tagg John
Κατηγορία Υλικού: Βιβλίο
Γλώσσα: English
Έκδοση: Minneapolis : University of Minnesota Press, 2009
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200 1 |a The disciplinary frame  |e photographic truths and the capture of meaning  |f John Tagg 
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320 |a Περιέχει βιβλιογραφία (σ. 357-377) και ευρετήριο 
327 1 |a The one-eyed man and the one-armed man: camera : culture and the state -- The plane of decent seeing : documentary and the rhetoric of recruitment -- Melancholy realism: Walker Evans's resistance to meaning -- Running and dodging, 1943: the breakup of the documentary moment -- The pencil of history : photography, history, archive -- A discourse with shape of reason missing: art history and the frame. 
330 |a "Photography can seem to capture reality and the eye like no other medium, commanding belief and wielding the power of proof. In some cases, a photograph itself is attributed the force of the real. How can a piece of chemically discolored paper have such potency? How does the meaning of a photograph become fixed? In The Disciplinary Frame, John Tagg claims that, to answer these questions, we must look at the ways in which all that frames photography-the discourse that surrounds it and the institutions that circulate it- determines what counts as truth." [Περιγραφή από το οπισθόφυλλο] 
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606 0 |a Photography  |x History 
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