Pontormo and the art of devotion in Renaissance Italy / Jessica A. Maratsos

"In Italy narrative representation simultaneously played a crucial role in the newly developing realm of pictorial naturalism and acted as a fundamental feature of Christian imagery. Hans Belting, in outlining a significant shift in this mode of art at the time of Giotto, highlights the essential... Πλήρης περιγραφή

Συγγραφείς:	Maratsos Jessica A
Κατηγορία Υλικού:	Βιβλίο
Γλώσσα:	English
Έκδοση:	Cambridge : Cambridge University Press, 2021
Θέματα:	Pontormo > Jacopo da, > 1494-1556 > Criticism and interpretation Χριστιανική τέχνη και συμβολισμός > Ιταλία > Αναγέννηση, 1450-1600 Αφοσίωση στην τέχνη Christian art and symbolism > Italy > Renaissance, 1450-1600 Devotion in art
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010			\|a 978-1-00-903795-2
010			\|z 9781316510551
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101			\|a eng
200	1		\|a Pontormo and the art of devotion in Renaissance Italy \|f Jessica A. Maratsos
210			\|a Cambridge \|c Cambridge University Press \|d 2021
215			\|a 261 σ. \|c εικ. \|d 26 εκ.
260			\|c 2021
300			\|a Outgrowth of the author's thesis (doctoral)--Columbia University, 2014, under the title: Devotional imagination of Jacopo Pontormo.
320			\|a Περιέχει βιβλιογραφικές αναφορές και ευρετήριο
327	0		\|a Introduction: Drawing Devotion, Imitating Nature in Cinquecento Florence -- Performing the Passion at the Certosa del Galluzzo -- Pictorial Theology and the Paragone in the Capponi Chapel -- Elusive Rhetoric at San Lorenzo -- A Pontormo Legacy in Florence?
330			\|a "In Italy narrative representation simultaneously played a crucial role in the newly developing realm of pictorial naturalism and acted as a fundamental feature of Christian imagery. Hans Belting, in outlining a significant shift in this mode of art at the time of Giotto, highlights the essential parallels between narrative structure and the Christian faith: "Revelation is told as a biography of Christ ... The truth became visible through the narration of miraculous and significant events, res gestae, in the sense of true and important facts." Over time, however, Belting argues that narrative imagery of the Trecento developed a more complex, communicative language, allowing for psychological interpretation and allegorical readings; "Narrative adopted an instrumental scope.""--
600		1	\|a Pontormo \|b Jacopo da, \|f 1494-1556 \|x Criticism and interpretation
606	0		\|a Χριστιανική τέχνη και συμβολισμός \|y Ιταλία \|z Αναγέννηση, 1450-1600
606	0		\|a Αφοσίωση στην τέχνη
606			\|a Christian art and symbolism \|y Italy \|z Renaissance, 1450-1600
606			\|a Devotion in art
686			\|a M
700		1	\|a Maratsos \|b Jessica A \|4 070
712	0	2	\|a Cambridge University Press \|4 650
801			\|a GR \|b NATIONAL GALLERY \|c 20230921 \|g AACR2
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909			\|b 0030011
920			\|c ΑΓΟΡΑ \|z 2023

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