Magic realism : art in Weimar Germany 1919-33 / Matthew Gale and Katy Wan

Magic realism explores the wider aspects of Weimar culture through th rich holdings of the George Economou Collection. Although the term "magic realism" is today commonly associated with twentieth-century literature of Latin Amrica, it was first invented by the German artist and critic Franz Roh... Πλήρης περιγραφή

Συγγραφείς:	Gale Matthew, Wan Katy
Κατηγορία Υλικού:	Βιβλίο
Γλώσσα:	English
Έκδοση:	London : Tate Publishing, 2018
Θέματα:	Οικονόμου > Γιώργος > Συλλογές τέχνης Tate Modern (London) > Exhibitions Μαγικός ρεαλισμός (Τέχνη) > Γερμανία > Εκθέσεις Τέχνη, Γερμανική > 20ός αιώνας > 1919-1933 > Εκθέσεις Magic realism (Art) > Germany > Exhibitions Art, German > 20th century > 1919-1933 > Exhibitions Painting, German > Themes, motives
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200	1		\|a Magic realism \|e art in Weimar Germany 1919-33 \|f Matthew Gale and Katy Wan
210			\|a London \|c Tate Publishing \|d 2018
215			\|a 111 σ. \|c εικ. ασπρ. \|d 24 x 24 εκ.
260			\|c 2018
300			\|a Κατάλογος έκθεσης: London, Tate Modern, 30 July 2018 - 14 July 2019.
320			\|a Περιέχει ευρετήριο.
327	1		\|a Magic realism: art in Weimar Germany 1919-33. -- Introduction: "The interior figure of the exterior world". -- The circus: "abnormal situations". -- From the street to the studio: "looking for adventure". -- Faith and magic: "a higher degree of reality". -- Coda: "from the visible to the invisible".
330			\|a Magic realism explores the wider aspects of Weimar culture through th rich holdings of the George Economou Collection. Although the term "magic realism" is today commonly associated with twentieth-century literature of Latin Amrica, it was first invented by the German artist and critic Franz Roh in 1925 to describe a shift from the spiritual and anxious art of the expressionist era, towards cold veracity and unsettling imagery. The diverse practices of Otto Dix, George Grosz, Albert Birkle and Jeanne Mammen, amongst other artists of the period, are explored through a series of essays which contribute fresh perspectives on this extraordinary moment in art. Featuring more than 75 illustrations, Magic Realism presents five thematic essays on the social and artistic spaces of Weimar culture. "The Circus" examines artistic depictions of transgression, against the backdrop of mass entertainment; "The street and the Studio"demostrates the inter-connections between public and private spaces in treatment an subject matter; the significant upsurge in religious feeling is reviewed in "Faith"; while "The Cabaret" returns to the irreverent, presenting the unusual characters of the underground. (Περιγραφή από το οπισθόφυλλο).
601	0	2	\|a Οικονόμου \|b Γιώργος \|x Συλλογές τέχνης
601	0	2	\|a Tate Modern (London) \|x Exhibitions
606	0		\|a Μαγικός ρεαλισμός (Τέχνη) \|y Γερμανία \|x Εκθέσεις
606	0		\|a Τέχνη, Γερμανική \|z 20ός αιώνας \|z 1919-1933 \|x Εκθέσεις
606	0		\|a Magic realism (Art) \|y Germany \|x Exhibitions
606	0		\|a Art, German \|y 20th century \|z 1919-1933 \|x Exhibitions
606	0		\|a Painting, German \|x Themes, motives
607			\|a Γερμανία \|x Πνευματική ζωή \|z 20ός αιώνας
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970			\|a ΜΕΝΤΖΑΦΟΥ \|b ΕΛΕΝΗ \|z 2020-11

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