Making modernism : Paula Modersohn-Becker, Käthe Kollwitz, Gabriele Münter, Marianne Werefkin / exhibition curators, Dorothy Price, Sara Lea, assisted by Rhiannon Hope and Sylvie Broussine

"Paula Modersohn-Becker, Käthe Kollwitz, Gabriele Münter and Marianne Werefkin are among the exceptional artists associated with the emergence of Expressionism in Germany in the early decades of the twentieth century. Each challenged prevailing ideals of feminine identity at a time of great... Πλήρης περιγραφή

Συγγραφείς: Price Dorothy C 1969-, Lea Sarah, Hope Rhiannon, Broussine Sylvie
Κατηγορία Υλικού: Βιβλίο
Γλώσσα: English
Έκδοση: London : Royal Academy of Arts, 2022
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LEADER 03462nam0a2200433 4500
001 1-85459
005 20230905144822.0
010 |a 978-1-912520-90-9 
010 |a 1-912520-90-7 
100 |a 20230905d20222022 y0frey03 ga 
101 |a eng 
200 1 |a Making modernism   |e Paula Modersohn-Becker, Käthe Kollwitz, Gabriele Münter, Marianne Werefkin  |f exhibition curators, Dorothy Price, Sara Lea, assisted by Rhiannon Hope and Sylvie Broussine 
210 |a London  |c Royal Academy Publications  |d 2022 
215 |a 165 σ.  |c εικ. εγχρ.  |d 28 εκ. 
260 |c 2022 
300 |a First published on the occasion of the exhibition at the Royal Academy of Arts, London 12 November 2022 - 12 February 2023."--Title page verso. 
320 |a Περιέχει βιβλιογραφία και ευρετήριο 
327 0 |a The making of Modernism in imperial Germany / Dorothy Price -- "To be a painter is to be alive" / Chantal Joffe RA in conversation with Dorothy Price -- Making a name : a Sturm exhibition of Jacoba van Heemskerck and Marianne Werefkin, March 1914 / Shulamith Behr -- Catalogue plates with artists' biographies : Paula Modersohn-Becker (1876-1907), Käthe Kollwitz (1867-1945), Gabriele Münter (1877-1962), Marianne Werefkin (1860-1938), Ottilie Reylaender (1882-1965), Jacoba van Heemskerck (1876-1923), Erma Bossi (1875-1952) / by Sarah Lea -- Timeline / Rhiannon Hope. 
330 |a "Paula Modersohn-Becker, Käthe Kollwitz, Gabriele Münter and Marianne Werefkin are among the exceptional artists associated with the emergence of Expressionism in Germany in the early decades of the twentieth century. Each challenged prevailing ideals of feminine identity at a time of great societal change. As women, they were expected to marry and raise a family; some chose to, some did not. As ambitious artists, all wanted to work, and as they rose to these challenges, their art further undermined conventions. Their depictions of children symbolise joy, hope and innocence but also melancholy, tension, curiosity, the passing of time and unfulfilled desire. Their radical depictions of the nude wrest the female body away from the male gaze towards a newfound role, expressive of powerful maternity and female subjectivity. These dramatic modernist compositions, with their fluid brushwork and bright hues, push at the boundaries of form, colour and spiritual meaning"-- 
600 1 |a Modersohn-Becker  |b Paula,  |f 1876-1907  |x Exhibitions 
600 1 |a Kollwitz  |b Kathe  |f 1867-1945  |x Exhibitions 
600 1 |a Münter  |b Gabriele  |f 1877-1962  |x Exhibitions 
600 1 |a Werefkin  |b Marianne  |f 1860-1938  |x Exhibitions 
606 0 |a Εξπρεσσιονισμός (Τέχνη)  |y Γερμανία  |x Εκθέσεις 
606 0 |a Γυναίκες Καλλιτέχνιδες  |x Εκθέσεις 
606 0 |a Φεμινισμός και τέχνη  |x Εκθέσεις 
606 |a Expressionism (Art)  |y Germany  |x Exhibitions 
606 |a Women painters  |y Germany  |j Exhibitions. 
606 |a Feminism in art  |j Exhibitions. 
676 |a 709.04042 
701 1 |a Price  |b Dorothy C  |f 1969-  |4 070  |4 220 
701 1 |a Lea  |b Sarah  |4 070  |4 220 
701 1 |a Hope   |b Rhiannon   |4 220 
701 1 |a Broussine  |b Sylvie  |4 220 
712 0 2 |a Royal Academy of Arts  |4 650 
801 |a GR  |b NATIONAL GALLERY  |c 20230905  |g AACR2 
852 |a INST  |b LIBRARY  |e 20230905  |h 709.04042 MAK  |p 036000037420  |q 036000037420  |u BK  |y 0 
909 |b 0029939 
920 |c ΑΓΟΡΑ  |z 2023 

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